About design (Everything depends on design)

About Design (Everything Depends on Design) is a fold-out manifesto in poster format, entirely typographic and monochrome, bringing together excerpts from different authors writing about design — ideas that contrast and contradict one another, reflecting the lack of consensus in…

R.I.P. (Rest in Pixel)

R.I.P. (Rest in Pixel) is a typeface designed for the Type Design course, whose drawing starts from the idea of visual degradation caused by progressively lowering pixel resolution, in four distinct weights that trace this gradual transformation.

Judge By the Cover

Judged by the Cover is an informative visual catalog exploring the intersection of music and design through 200 iconic album covers, selected for their relevance or controversy.

Arquivos de Gestos

The starting point was the side view of the page edges of well-used sketchbooks, overflowing with textures and colors that naturally form a mark. Developed for Advanced Studies in Editorial Design and Typography, in response to a brief for a…

Página Inicial

“Página Inicial” (Home Page) proposes a reading of Google Doodles as small visual interruptions of an everyday interface. The project moves these images from screen to book, turning a digital, ephemeral and functional experience into a physical, sequential and interactive…

The Design Issue

An experimental editorial publication for Advanced Studies in Editorial Design and Typography, starting from the relationship between typography, discourse and design. It explores typography’s ability to act not only as a vehicle for content but as a visual, expressive and…

Echo_Type – Where Design Resonates

An editorial magazine developed from a set of articles provided by Professor Mário Moura for Advanced Studies in Editorial Design and Typography. The publication takes an exclusively typographic approach, with no images and limited to black and white.

Wrinkles

Wrinkles is a non-literary publication exploring the experience and transformation brought about by time. The narrative unfolds as a cycle bringing together three dimensions — landscape, skin and artifacts — understood as surfaces on which time leaves distinct marks.

Ornamento como estrutura

This work responds to a brief for a printed publication made exclusively from texts about design and typography, without images. It investigates the relationship between structure, ornament and language, taking as its starting point the principles of the New Typography…