A narrative built from the analysis of three previously selected objects; keywords associated with those objects then gave rise to an illustrated visual interpretation of the story in editorial form.
Category: Material Archive (2026)
A Planta do Mundo
An editorial object whose art direction was defined by another group in the course. The text, images and much of the visual identity of this re-edition of “The Nation of Plants” by botanist Stefano Mancuso were created under the guidance…
OCD HOC
A visual publication that gives material form to the psychological and physical burden of Obsessive-Compulsive Disorder from a personal perspective. Structured on the golden ratio and a millimetric grid, it takes the form of a performance-object in which the obsessive…
Between and Beyond the Binary
A visual atlas that explores gender through a relational, non-hierarchical system of images. The main publication brings together figures and icons from art history and popular culture who challenge gender norms and binary representations, arranged in diptychs that establish formal…
Drawing the Line — A Collection of Reflections Between Art and Design
Final project for the year-long Project course — an editorial project on a free theme in which the student takes on the roles of both editor and designer, developing an editorial object from ideation and conception through to print production.
Metamorfose
Project 1 for Advanced Studies in Editorial Design and Typography — a group editorial publication built from contrasting themes chosen individually by each member and then brought together in a single printed publication.
Systemic Threads — Unweaving Design’s Ideologies
Project 1 for Advanced Studies in Editorial Design and Typography — a printed publication about design, made to be read, leafed through and looked at, built from the texts provided and using typographic elements only, without images or color.
Paris ’37
A type revival: the interpretation and adaptation of a historical typographic model for a contemporary context. The work involved historical research, formal analysis, type drawing and the development of a variable digital font, presented in a specimen booklet.
Under the Word Design
Under the Word Design grew out of the brief for Advanced Studies in Editorial Design and Typography: a black-and-white publication, in vertical A4 (3:4), made with typography only, no images, designed to be leafed through, seen and read from start…
Fragmentos
The brief called for a book of free content and format that would reveal the boundaries between the designer’s and the editor’s roles in a personal project, preparing students to conceive an editorial and graphic communication program grounded in theory…