The potential of design expression in the field of mental health:Development of a conceptual variable display typeface to raise awareness about eating disorders.Joana Teixeira Online campaign + digital font + typographic specimen Leveraging the expressive power of typography, a variable typeface was developed to subtly reflect some of the sensations and characteristics of living with… Continue reading The potential of design expression in the field of mental health
Tag: Pedro Amado
Schron Poltawski
Schron Poltawski is typeface revival designed by Beatriz Fernandes, Joana Teixeira, and Margarida Silva, for the Type Design course in 2022, under the supervision of Prof. Pedro Amado. For the second and final group assignment, students in the Type Design course must research and design a revival of a text typeface. This typeface was also… Continue reading Schron Poltawski
The Creative Potential of Animation and Repetition in Editorial Design
The Creative Potential of Animation and Repetition in Editorial Design: Development and evaluation of a parametric tool for creating typographic compositions. A master research and development project by Vânia Oliveira, developed in 2020. The evolution of communicative processes, as well as their supports and techniques, is a constant. Typography is no exception, as this process… Continue reading The Creative Potential of Animation and Repetition in Editorial Design
The Emotional Dimension in Typographic Poster Composition
“A Dimensão Emocional na Composição do Cartaz Tipográfico” (The Emotional Dimension in Typographic Poster Composition) from Irene Beatriz Meireis Peixoto, a Master Project research developed in 2020. This project deals with topics such as human emotions, design and typographic composition. The human mind, according to the work developed by Professor António Damásio (2011), diverges from… Continue reading The Emotional Dimension in Typographic Poster Composition
Figurat
Figurat: a contemporary high-contrast sans-serif typeface. Master Project by Abel Martins in 2020. This project aims to research and analyze existing strategies and methodologies in constructing a new typeface. Following Martin Andersch’s calligraphic design methodologies, as well as the typographic design strategies of José Scaglione and Laura Meseguer, as starting points, studies were prepared for… Continue reading Figurat
Industria Neue Typeface
Industria Neue digital typeface revival developed by Inês Venâncio, Raquel Clemente, Sara Guerra under the supervision of Professor Pedro Amado, within the Typeface Design course, in the academic year 2021-22. Industria Neue appears as an updated version of the “Industria” font designed by Hermann Zehnpfundt and launched by Emil Gursch’s Foundry in 1910. There are… Continue reading Industria Neue Typeface