Architecture without Architects – An Introduction to Non-Pedigreed Architecture was a book published by Bernard Rudofsky in 1964, in which he used the term vernacular architecture for the first time: “For want of a generic label we shall call it…
Category: Exhibition
Chromatic Aberration
The aim of this project was to create a chromatic typographic system focused on climate change. In a first phase, the typeface was designed digitally, followed by the making of physical type matrices to be used in a workshop.
Saber de cor
Talking about color is like talking about saudade, the universe or sensitivity. Color goes beyond the visual phenomenon: it creates worlds and emotions, and it is essential for designers.
Sacred and Terrible Air
A self-proposed project for the Project course, in which the Estonian novel Püha ja õudne lõhn (Sacred and Terrible Air), written by Robert Kurvitz, was repaginated and re-edited.
It’s just pizza!
A self-proposed project for the Graphic Design and Infographics course, which contextualized and mapped the unfolding of the conspiracy theory known as “Pizzagate”. The aim of this project was to create a visualization of how quickly disinformation arises and spreads,…
Comida e memória familiar: Um arquivo auto-narrativo em construção em forma de livro ilustrado
Since the dawn of civilization, sharing a meal has always been more than a mere necessity — it is a social act that brings people together, whether family, friends or strangers.
Artificial intelligence as a creative tool for type designers
Digital fonts were first introduced worldwide during the later decades of the 20th century when typography transitioned from metallic letters to digital ones. From that point on, the idea of a foundry changed.
O espaço do silêncio
This work analyzes the importance of empty space in editorial design, particularly in communicating landscape architecture projects, taking the Parque da Alameda de Cartes (PAC) as a case study.
Tipografia modular
The project is a modular typographic game that promotes the space of typographic creation as a vehicle for expression and abstract composition. An additional aim is to encourage interest in the discipline of typography.
Whispers of the past_
As exercise 2 of the Project curricular unit, during the second semester, we were asked to create an editorial artifact. As the original brief stated, this was an open assignment, with no restrictions on theme, size, materials (…), these details…