Obsessions

The project is a quarterly magazine built on a strong central concept: obsession. The idea came from wanting to explore how certain passions, interests or collections can take on an important place in people’s lives, becoming part of their identity…

CAMOUFLAGE

CAMOUFLAGE is part of a research project exploring how vivipary in plants, particularly the facultative type, can be metaphorically associated with phenomena such as affective computing, which continues to expand significantly in the field of Human–Computer Interaction.

Dizer sem dizer

Dizer sem dizer (Saying Without Saying) is an editorial design project that explores cooking as a form of affective communication. Starting from the idea that it is not always possible to put what we feel into words, it turns recipes,…

Prática Editorial como Reativação

Scientific archives are fundamental repositories of human knowledge, yet often remain inaccessible due to challenges of cataloging, digitization and cultural mediation. Following a curricular internship at the Desmond Morris scientific archive, held at the Museum of Natural History and Science…

Ornamento como estrutura

This work responds to a brief for a printed publication made exclusively from texts about design and typography, without images. It investigates the relationship between structure, ornament and language, taking as its starting point the principles of the New Typography…

Logocentrism

The brief was to create a small publication with texts by a selection of authors on various design topics, especially typography. I chose to pair texts by Loos, Marinetti and Tschichold, since they share a concrete avant-garde vision and a…

Jeanne

Jeanne is a variable serif typeface inspired by the transition from the humanist forms of the seventeenth century to the rationalism of the eighteenth. The double-sided type specimen presents one variant on each side: Jeanne Book and Jeanne Slant.