In ‘First Exposure Archive: A Pentax ME Super, experience and record’, you’ll delve into the personal journey of discovering photography through the classic medium of film.
Category: Exhibition
The heart according to Sérgio Brito
For the Project curricular unit, with the aim of creating a book on a self-proposed theme, I chose to explore and honor a symbol that is present in our lives but does not receive due recognition: the heart.
Nervios
Nerves examines patterns and visual trends, and develops the graphic analysis of a selection of leaves that are in our daily lives, that may be invisible but that enclose a world of magic and unique beauty.
The Crystal Goblet, or Printing Should Be Invisible
The first EADT UC module explores the culture and classical knowledge of typographic and editorial design, where the essential rules that determine functionality or pragmatism in typographic and editorial design are studied and applied, while seeking invisibility (of the medium…
Reinventar a impressão analógica
This project uses letterpress printing with movable type as a way of exploring and adapting the technological means needed to carry out the technique, turning them into practical and accessible instruments in an academic context while ensuring print quality.
Tio Manel
Tio Manel is a modern, low-contrast sans serif typeface, strongly inspired by Tia Lira — designed in 2004 by Manuel Pereira da Silva (1930–2008), a Portuguese designer, typographer and researcher who made significant contributions to the national typographic landscape.
Ardina
Created as a revival of the Tialira typeface by the celebrated Portuguese typographer Manuel Pereira da Silva, Ardina was developed collectively by Bruna Chichavel, Luís Lopes, Maria Luísa Pinto and Roberta Miranda.
Hoje cortei o cabelo
Starting from an exercise in introspection about everything that surrounds us in the space outside and inside the body, Hoje Cortei o Cabelo is a book-hug.
ORBITA
ORBITA was created as a revival of the Tia Lira typeface, designed by Manuel Pereira da Silva in 2003, which has only capital letters, in different weights and variations.
Casa-Tipo, Tipo-Casa — Arquitectura como manifesto tipográfico
This book arises from the confluence of architecture and typography, not only as subjects of research but as the structuring principles of its own editorial construction.