ORBITA was created as a revival of the Tia Lira typeface, designed by Manuel Pereira da Silva in 2003, which has only capital letters, in different weights and variations.
Category: Course Projects and Assignments
Casa-Tipo, Tipo-Casa — Arquitectura como manifesto tipográfico
This book arises from the confluence of architecture and typography, not only as subjects of research but as the structuring principles of its own editorial construction.
Tio Manel
Tio Manel is a modern, low-contrast sans serif typeface, strongly inspired by Tia Lira — designed in 2004 by Manuel Pereira da Silva (1930–2008), a Portuguese designer, typographer and researcher who made significant contributions to the national typographic landscape.
Ardina
Created as a revival of the Tialira typeface by the celebrated Portuguese typographer Manuel Pereira da Silva, Ardina was developed collectively by Bruna Chichavel, Luís Lopes, Maria Luísa Pinto and Roberta Miranda.
Hoje cortei o cabelo
Starting from an exercise in introspection about everything that surrounds us in the space outside and inside the body, Hoje Cortei o Cabelo is a book-hug.
Madonna, is that all? – A retrospective on life and career
“Madonna, is that all? – A retrospective on life and career” is a project developed in the Project curricular unit, taught by Cristina Ferreira, in the curriculum of the Master in Graphic Design and Editorial Projects at the Faculty of…
Emotions_Feelings
Emotions_Feelings is an editorial and graphic object developed in the second semester, in the Project curricular unit, with the premise of addressing topics of personal interest.
Oxalá te volte a ver outra vez, para me contares mais.
“Oxalá te volte a ver outra vez, para me contares mais” is a project carried out in the Advanced Studies in Editorial Design and Typography curricular unit, taught by Mário Moura, in the curriculum of the Master in Graphic Design…
Wreckscapes
Conceived as a speculative archive, Wreckscapes explores the emotional and material residues of shipwrecks, not only as historical events but as epistemological fractures where landscapes work as operational images, echoes of sonar sweeps, archival voids and spectral traces between surface…
Interface:
The project Interface: belongs to the Project curricular unit in Graphic and Editorial Design, whose central aim is to explore the boundaries between the practice of the designer and that of the editor, reflecting critically on project methodologies, both analog…