2026 Exhibition Credits / Technical Information / Imprint
Organization: Master’s in Graphic Design and Editorial Projects (MDGPE) Faculty of Fine Arts, University of Porto (FBAUP)
Venue & Dates: Museum Gallery, FBAUP | October 2–9, 2026
Program Director: Pedro Amado
Program Scientific Committee: Cristina Ferreira, Pedro Amado, Rui Vitorino Santos
Curatorship (Texts) and General Coordination: MDGPE Program Scientific Committee
Graphic & Exhibition Design: Catarina Marques, Hugo Costa, Inês Teixeira, Joana Teles, Leticia Santos, Rafael Pinho
Digital Archive (Website) and Interactive Visualization: Pedro Amado (Concept & Interaction Design) & Claude Opus 5.5 (Sept. 2026) (Development, Proof Reading & Publishing)
Labels: Original texts by the respective authors; design and production by the Graphic & Exhibition Design Team
Editorial & Production Coordination: MDGPE Scientific Committee
Typography & Digital Fonts: EB Garamond, designed by Georg Duffner, Octavio Pardo. SIL Open Font License (OFL), Version 1.1. (georgduffner.at/ebgaramond); JetBrains Mono, designed by Philipp Nurullin, Konstantin Bulenkov, and the JetBrains Team. SIL Open Font License (OFL), Version 1.1. (jetbrains.com/lp/mono)
Production Support: Ana Leite, Carla Sousa (Communication); Carla Morais, Jorge Morais (Financial Support); António Ferreira (Logistics); Afonso Ribeiro, Ana Rita Ribeiro and Marta Babau (MDGPE Support Students for the Exhibition Production and Installation)
Exhibition Production, Lighting & Support: Isabel Gonçalves, Paula Parente Pinto.
Exhibition Installation support: João Azevedo, Jorge Garcês
Communication Materials Printing & Binding: Norcópia Casulo d’Ideias, & FBAUP Digital Printing Facilities & Design Department Workroom
Communication Design, & Social Media Management: Ana Leite, Carla Sousa, Public Relations & Communications Office, FBAUP
Photography / Videography: Marta Babau (MDGPE)
Translation & Proofreading: Automated Translation from PT to EN, with AI cross-checked proofreading by Gemini 3.1 Pro (Google) and Claude Opus 5.5 (Anthropic) — Model versions as of September 27, 2026
Final Proofreading: Exhibition Organization Team
Exhibitors (1st and 2nd Academic Years 2025/2026): Afonso Ribeiro; Alice Alves; Ana Catarina Marques; Ana Pinto; Ana Rita Ribeiro; Anabela Nunes; André do Carmo Gonçalves; Bruna Chichavel; Catarina Silva; Claudia Martina; Fabiana Oliveira; Hélder Amorim; Helena Gomes; Hugo Costa; Inês Pinheiro; Inês V. Teixeira; Isa Imay; Joana Garcês; Joana Teles; João Sousa; Jorge Santos Duarte; Juhan Reis; Leonor Carvalho; Leticia Marques Santos; Luís Lopes; Maria Julia Ribeiro; Maria Luísa Pinto; Maria Pinto; Marta Babau; Marta Cabral; Matilde Coelho; Matilde Silveira; Rafael Pinho; Rafaela Ribeiro; Ricardo Gomes; Rita Lamas; Roberta Miranda; Stênio França; Vítor Almeida; Vittoria Lovino
Faculty and Advisors: André Rangel; Antero Ferreira; Cláudia Lima; Cristina Ferreira; Diniz Cayolla Ribeiro ; Eduardo Aires; Eliana Santiago ; Emília Dias Costa; Graciela Machado; Hernâni Barros Zão (Universidade de Évora); Joana Pestana; Jorge Silva; José Carneiro; Júlio Dolbeth; Luís Mendonça; Margarida Dias; Mário Moura ; Miguel Carvalhais; Pedro Amado; Rui Vitorino Santos; Susana Barreto; Susana Lourenço Marques; Virgínia Martin ; Vítor Quelhas (ESMAD / P.Porto).
Acknowledgements & Partnerships: (T.B.A.)
Publication Credits (Room Sheet)
Printing: FBAUP Digital Printing, Xerox Altalink C8130
Print Run: 100 copies (T.B.C.)
Typography: EB Garamond, designed by Georg Duffner, Octavio Pardo. SIL Open Font License (OFL), Version 1.1. georgduffner.at/ebgaramond.
Paper: (T.B.D.)
Edition: 1st
Edition Date: October 1, 2026
Legal Disclaimer and Copyright Notice: The projects presented in this exhibition and digital archive—including their design, texts, images, typography, illustrations, and all other assets used—are the sole responsibility of their respective authors (the students). It is the authors’ full responsibility to acquire and secure any licenses, rights, or permissions required to create, reproduce, and publish their work within the academic environment. The exhibition organizers have been granted prior consent by the authors to use, reproduce, and display images of their work for exhibition, archival, and communication purposes, both in the physical gallery space and on the digital interface.