{"id":2745,"date":"2026-09-30T06:42:54","date_gmt":"2026-09-30T06:42:54","guid":{"rendered":"https:\/\/mdgpe.fba.up.pt\/?p=2745"},"modified":"2026-09-30T06:42:54","modified_gmt":"2026-09-30T06:42:54","slug":"form-and-freedom-modernism-and-deconstruction-in-graphic-design","status":"publish","type":"post","link":"https:\/\/mdgpe.fba.up.pt\/?p=2745&lang=pt","title":{"rendered":"Form and freedom: Modernism and deconstruction in graphic design"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Form and freedom: Modernism and deconstruction in graphic design<\/strong><br>Cl\u00e1udia Martina<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cForm and freedom\u201d \u00e9 um trabalho elaborado para a U.C de Estudos Avan\u00e7ados em Design Editorial e Tipografia supervisionado por M\u00e1rio Moura que pretende explorar um objeto editorial monocrom\u00e1tico somente tipogr\u00e1fico sem recurso a qualquer imagem n\u00e3o tipogr\u00e1fica de forma a explorar o uso de tipografia e a sua import\u00e2ncia e interesse visual no design editorial e gr\u00e1fico. Deste briefing surge \u201cForm and freedom: Modernism and deconstruction in graphic design\u201d, uma publica\u00e7\u00e3o que explora tanto o modernismo como a desconstru\u00e7\u00e3o no design gr\u00e1fico como o t\u00edtulo indica. Foram usadas v\u00e1rias tipografias diferentes sendo as pr\u00f3prias desconstru\u00eddas e editadas para dar fluidez, interesse e ritmo \u00e0 publica\u00e7\u00e3o sem o uso de imagens mas mantendo tamb\u00e9m o conceito de hierarquia de informa\u00e7\u00e3o.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1142\" height=\"1286\" data-id=\"2637\" src=\"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-01.jpg\" alt=\"Form and freedom: Modernism and deconstruction in graphic design \u2014 imagem 1 de 2\" class=\"wp-image-2637\" srcset=\"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-01.jpg 1142w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-01-266x300.jpg 266w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-01-909x1024.jpg 909w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-01-768x865.jpg 768w\" sizes=\"auto, (max-width: 1142px) 100vw, 1142px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1346\" height=\"1358\" data-id=\"2638\" src=\"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-02.jpg\" alt=\"Form and freedom: Modernism and deconstruction in graphic design \u2014 imagem 2 de 2\" class=\"wp-image-2638\" srcset=\"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-02.jpg 1346w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-02-297x300.jpg 297w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-02-1015x1024.jpg 1015w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-02-150x150.jpg 150w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-02-768x775.jpg 768w\" sizes=\"auto, (max-width: 1346px) 100vw, 1346px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ficha t\u00e9cnica<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ano<\/strong>: 2024<br><strong>Dimens\u00f5es<\/strong>: 180 \u00d7 240 \u00d7 3 mm; 28 p\u00e1ginas<br><strong>Materiais<\/strong>: Munken Pure 150 g.<br><strong>Produ\u00e7\u00e3o e acabamentos<\/strong>: Impress\u00e3o digital; encadernado \u00e0 m\u00e3o.<br><strong>Recursos e cr\u00e9ditos<\/strong>: Software: Adobe InDesign, Adobe Photoshop; textos originais: S. Sturm, \u00abAbout the Word Design\u00bb by Vil\u00e9m Flusser (2009); R. Kinross, Conversation with Richard Hollis on Graphic Design History; K. McCoy e D. Frej, Typography as Discourse (1988).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Unidade Curricular:<\/strong><br>Estudos Avan\u00e7ados em Design Editorial e Tipografia (1.\u00ba ano)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Docente:<\/strong><br>M\u00e1rio Moura<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Palavras-chave:<\/strong> Design de Livro, Design Editorial, Desconstru\u00e7\u00e3o, Tipografia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/mdgpe.fba.up.pt\/?page_id=1889\">Ver a exposi\u00e7\u00e3o <em>Fio de Cera<\/em> (2025) \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cForm and freedom\u201d \u00e9 um trabalho elaborado para a U.C de Estudos Avan\u00e7ados em Design Editorial e Tipografia supervisionado por M\u00e1rio Moura que pretende explorar um objeto editorial monocrom\u00e1tico somente tipogr\u00e1fico sem recurso a qualquer imagem n\u00e3o tipogr\u00e1fica de forma\u2026<\/p>\n","protected":false},"author":6,"featured_media":2637,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[462,575,453,456],"tags":[2195,2958,2790,2967,1935,2973,1854,2964,579,480,2961,2970],"class_list":["post-2745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial-design-pt","category-advanced-studies-in-editorial-design-and-typography-pt","category-portfolio-pt","category-course-projects-and-assignments-pt","tag-2024-pt","tag-apfel-grotezk-pt","tag-baskerville-pt","tag-bouuuuuh-pt","tag-claudia-martina-pt","tag-conversation-with-richard-hollis-on-graphic-design-history-pt","tag-encadernacao-manual","tag-helvetica-pt","tag-mario-moura-pt","tag-munken-pt","tag-p22-klaus-kursiv-pt","tag-r-kinross-pt","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/fio-de-cera-prj-2025-008-01.jpg","_links":{"self":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2745"}],"version-history":[{"count":1,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2745\/revisions"}],"predecessor-version":[{"id":2856,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2745\/revisions\/2856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/media\/2637"}],"wp:attachment":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}