{"id":2429,"date":"2026-10-02T16:02:00","date_gmt":"2026-10-02T16:02:00","guid":{"rendered":"https:\/\/mdgpe.fba.up.pt\/?p=2429"},"modified":"2026-09-30T09:13:10","modified_gmt":"2026-09-30T09:13:10","slug":"pratica-editorial-como-reativacao-en","status":"publish","type":"post","link":"https:\/\/mdgpe.fba.up.pt\/?p=2429","title":{"rendered":"Pr\u00e1tica Editorial como Reativa\u00e7\u00e3o"},"content":{"rendered":"\n

Pr\u00e1tica Editorial como Reativa\u00e7\u00e3o<\/strong>
Da Digitaliza\u00e7\u00e3o Arquiv\u00edstica \u00e0 Media\u00e7\u00e3o Editorial no Arquivo Cient\u00edfico Desmond Morris no MHNC-UP.<\/em>
Maria Lu\u00edsa Pinto<\/p>\n\n\n\n

\n\n\n\n

Scientific archives are fundamental repositories of human knowledge, yet often remain inaccessible due to challenges of cataloging, digitization and cultural mediation. Following a curricular internship at the Desmond Morris scientific archive, held at the Museum of Natural History and Science of the University of Porto (MHNC-UP), a catalog was produced of the \u201cbiomorphs\u201d: creatures invented by Morris \u2014 British zoologist, ethologist and surrealist painter \u2014 who drew them in the margins of his scientific documents, revealing the intersection between scientific thought and artistic expression.<\/p>\n\n\n\n

\n
\"Pr\u00e1tica<\/figure>\n<\/figure>\n\n\n\n

Based on Pierini and Camillini\u2019s (2023) concept of editorial reactivation, an editorial practice was established to reactivate this dormant collection, integrating archival methodologies with editorial design to structure, contextualize and communicate this previously unpublished visual heritage to different audiences.<\/p>\n\n\n\n

Imprint \/ Technical Rider<\/strong>:<\/p>\n\n\n\n

Year<\/strong>: 2026
Dimensions<\/strong>: 210 \u00d7 210 mm; catalog in three sections
Materials<\/strong>: Catalog \u201cSketches in the Margin: The World of the Biomorphs\u201d (1st edition, May 2026), in three sections: a central one, \u201cArtist\u201d and \u201cZoologist\u201d. Text block Munken Lynx 120 g; overlays on tracing paper 120 g; cover Rives Design Bright White 250 g; inserts on yellow paper 90 g.
Production and finishing<\/strong>: Stapled binding, front and back covers glued. Printed by Norc\u00f3pia, Porto.
Resources and credits<\/strong>: Typography: Prestige Elite Std (English) and Poppins (Portuguese). Texts by Maria Lu\u00edsa Pinto, edited by Anabela Magalh\u00e3es.<\/p>\n\n\n\n

Curricular Unit:<\/strong>
Dissertation\/Project\/Internship (2nd year) \u2014 Project<\/p>\n\n\n\n

Supervisor:<\/strong> Cristina Ferreira<\/p>\n\n\n\n

Keywords:<\/strong> Desmond Morris, Editorial Design, Reactivation, Scientific Archive<\/p>\n\n\n\n

See this project in the Material Archive<\/em> interactive archive \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Scientific archives are fundamental repositories of human knowledge, yet often remain inaccessible due to challenges of cataloging, digitization and cultural mediation. Following a curricular internship at the Desmond Morris scientific archive, held at the Museum of Natural History and Science\u2026<\/p>\n","protected":false},"author":5,"featured_media":2426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[96,3482,58,3496,18,148],"tags":[540,1290,142,2046,979,2031,145,2051,2041,2036,151,483,524],"class_list":["post-2429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial-design","category-exhibition","category-master-dissertations-and-reports","category-material-archive-2026-en","category-portfolio","category-project","tag-540","tag-colored-paper","tag-cristina-ferreira","tag-desmond-morris","tag-glued-binding","tag-maria-luisa-pinto","tag-munken","tag-pierini-and-camillini-2023","tag-poppins","tag-prestige-elite-std","tag-rives","tag-staples","tag-tracing-paper","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01.jpg","_links":{"self":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2429"}],"version-history":[{"count":1,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2429\/revisions"}],"predecessor-version":[{"id":2430,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2429\/revisions\/2430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/media\/2426"}],"wp:attachment":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}