{"id":2427,"date":"2026-10-02T16:02:00","date_gmt":"2026-10-02T16:02:00","guid":{"rendered":"https:\/\/mdgpe.fba.up.pt\/?p=2427"},"modified":"2026-09-30T09:13:10","modified_gmt":"2026-09-30T09:13:10","slug":"pratica-editorial-como-reativacao","status":"publish","type":"post","link":"https:\/\/mdgpe.fba.up.pt\/?p=2427&lang=pt","title":{"rendered":"Pr\u00e1tica Editorial como Reativa\u00e7\u00e3o"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Pr\u00e1tica Editorial como Reativa\u00e7\u00e3o<\/strong><br><em>Da Digitaliza\u00e7\u00e3o Arquiv\u00edstica \u00e0 Media\u00e7\u00e3o Editorial no Arquivo Cient\u00edfico Desmond Morris no MHNC-UP.<\/em><br>Maria Lu\u00edsa Pinto<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Os arquivos cient\u00edficos constituem reposit\u00f3rios fundamentais de conhecimento humano, permanecendo muitas vezes inacess\u00edveis devido a desafios de cataloga\u00e7\u00e3o, digitaliza\u00e7\u00e3o e media\u00e7\u00e3o cultural. Na sequ\u00eancia de um est\u00e1gio curricular no arquivo cient\u00edfico de Desmond Morris, conservado no Museu de Hist\u00f3ria Natural e da Ci\u00eancia da Universidade do Porto (MHNC-UP), foi elaborado um cat\u00e1logo dos &#8220;biomorfos&#8221;: organismos criados por Morris, zo\u00f3logo, et\u00f3logo e pintor surrealista brit\u00e2nico, que desenhava nas margens dos seus documentos cient\u00edficos, revelando a interse\u00e7\u00e3o entre pensamento cient\u00edfico e express\u00e3o art\u00edstica.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" data-id=\"2426\" src=\"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01-724x1024.jpg\" alt=\"Pr\u00e1tica Editorial como Reativa\u00e7\u00e3o \u2014 imagem 1 de 1\" class=\"wp-image-2426\" srcset=\"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01-724x1024.jpg 724w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01-212x300.jpg 212w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01-768x1086.jpg 768w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01-1087x1536.jpg 1087w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01-1449x2048.jpg 1449w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01-1568x2216.jpg 1568w, https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01.jpg 1698w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Tendo por base o conceito de reativa\u00e7\u00e3o editorial de Pierini e Camillini (2023), foi estabelecida uma pr\u00e1tica editorial com o intuito de reativar este esp\u00f3lio dormente, integrando metodologias arquiv\u00edsticas com design editorial de modo a estruturar, contextualizar e comunicar este patrim\u00f3nio visual in\u00e9dito a diferentes p\u00fablicos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ficha t\u00e9cnica<\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ano<\/strong>: 2026<br><strong>Dimens\u00f5es<\/strong>: 210 \u00d7 210 mm; cat\u00e1logo em tr\u00eas cadernos<br><strong>Materiais<\/strong>: Cat\u00e1logo \u00abEsbo\u00e7os \u00e0 Margem: O mundo dos Biomorfos\u00bb (1.\u00aa edi\u00e7\u00e3o, maio de 2026), em tr\u00eas cadernos: central, \u00abArtista\u00bb e \u00abZo\u00f3logo\u00bb. Miolo Munken Lynx 120 g; sobreposi\u00e7\u00f5es em papel vegetal 120 g; capa Rives Design Bright White 250 g; inserts em papel amarelo 90 g.<br><strong>Produ\u00e7\u00e3o e acabamentos<\/strong>: Encaderna\u00e7\u00e3o com agrafos, capa e contracapa coladas. Impresso na Norc\u00f3pia, Porto.<br><strong>Recursos e cr\u00e9ditos<\/strong>: Tipografia: Prestige Elite Std (ingl\u00eas) e Poppins (portugu\u00eas). Textos de Maria Lu\u00edsa Pinto, revis\u00e3o de Anabela Magalh\u00e3es.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Unidade Curricular:<\/strong><br>Disserta\u00e7\u00e3o\/Projeto\/Est\u00e1gio (2.\u00ba ano) \u2014 Projeto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Orienta\u00e7\u00e3o:<\/strong> Cristina Ferreira<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Palavras-chave:<\/strong> Desmond Morris, Design Editorial, Reativa\u00e7\u00e3o, Arquivo Cient\u00edfico<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/mdgpe.fba.up.pt\/expo\/2026\/index.html?prj=70\">Ver este projeto no arquivo interativo <em>Arquivo Material<\/em> \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Os arquivos cient\u00edficos constituem reposit\u00f3rios fundamentais de conhecimento humano, permanecendo muitas vezes inacess\u00edveis devido a desafios de cataloga\u00e7\u00e3o, digitaliza\u00e7\u00e3o e media\u00e7\u00e3o cultural. Na sequ\u00eancia de um est\u00e1gio curricular no arquivo cient\u00edfico de Desmond Morris, conservado no Museu de Hist\u00f3ria Natural\u2026<\/p>\n","protected":false},"author":5,"featured_media":2426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[462,836,3490,3498,453,489],"tags":[542,485,550,2048,981,2033,480,1292,526,2053,2043,2038,863],"class_list":["post-2427","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial-design-pt","category-master-dissertations-and-reports-pt","category-exhibition-pt","category-material-archive-2026-en-pt","category-portfolio-pt","category-project-pt","tag-2026-pt","tag-agrafos","tag-cristina-ferreira-pt","tag-desmond-morris-pt","tag-encadernacao-colada","tag-maria-luisa-pinto-pt","tag-munken-pt","tag-papel-colorido","tag-papel-vegetal","tag-pierini-e-camillini-2023","tag-poppins-pt","tag-prestige-elite-std-pt","tag-rives-pt","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-070-01.jpg","_links":{"self":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2427"}],"version-history":[{"count":1,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2427\/revisions"}],"predecessor-version":[{"id":2428,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2427\/revisions\/2428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/media\/2426"}],"wp:attachment":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}