{"id":2218,"date":"2026-10-02T16:09:15","date_gmt":"2026-10-02T16:09:15","guid":{"rendered":"https:\/\/mdgpe.fba.up.pt\/?p=2218"},"modified":"2026-09-30T09:13:08","modified_gmt":"2026-09-30T09:13:08","slug":"a-imagem-e-nao-imagem-da-censura-queer-en","status":"publish","type":"post","link":"https:\/\/mdgpe.fba.up.pt\/?p=2218","title":{"rendered":"A Imagem e N\u00e3o-Imagem da Censura Queer"},"content":{"rendered":"\n

A Imagem e N\u00e3o-Imagem da Censura Queer<\/strong>
Arquivo, Identidade, Linguagem e Resist\u00eancia no Design Gr\u00e1fico Queer<\/em>
Lu\u00eds Lopes<\/p>\n\n\n\n

\n\n\n\n

From feelings of devaluation and marginalization come responses and reactions that make up what we might call queer resistance. It emerges, among other forms, through the re-signification and reclaiming of languages and meanings, many of which are expressed through images, opening up nuance: what images can be and what they can become.<\/p>\n\n\n\n

\n
\"A<\/figure>\n<\/figure>\n\n\n\n

The project \u201cThe Image and Non-Image of Queer Censorship\u201d builds a visual narrative around manifestations of censorship and iconoclasm that inform us about the perception and acceptance of queer identities in society. It also follows a research-through-editorial-design approach, reflecting how this censorship bears on what could be a queerer perspective on graphic design, while valuing the image as a tool for narrating and rebuilding identity.<\/p>\n\n\n\n

Imprint \/ Technical Rider<\/strong>:<\/p>\n\n\n\n

Year<\/strong>: 2026
Dimensions<\/strong>: Dossier Zero 210 \u00d7 90 mm \u00b7 First 148 \u00d7 210 mm \u00b7 Second 148 \u00d7 258 mm \u00b7 Third 200 \u00d7 258 mm (whole object 200 \u00d7 258 \u00d7 33 mm); 32 + 112 + 112 + 120 pages
Materials<\/strong>: Text block on Munken White 130 g; covers on Canson 200 g. Stickers, appendices and sketches in home inkjet printing on colored papers.
Production and finishing<\/strong>: Digital printing; perfect bound. Printing and finishing: Fotomec\u00e2nica Mologr\u00e1fica, S.A., September 2026.
Resources and credits<\/strong>: Typefaces: DGM Saffron and DGM Gleff (Giulia Boggio); Degheest Latitude (Ange Degheest, Eug\u00e9nie Bidaut, Oriane Charvieux, Mandy Elb\u00e9, Luna Delabre, Camille Depalle, Justine Herbel, May Jolivet and Benjamin Gomez); Authentic Sans Condensed (Christina Janus and Desmond Wong); Nudles (Anne-Dauphine Borione and Max Lillo); DINdong (Clara Sambot). Images by the author or found, credited in the image index.<\/p>\n\n\n\n

Curricular Unit:<\/strong>
Dissertation\/Project\/Internship (2nd year) \u2014 Project<\/p>\n\n\n\n

Supervisor:<\/strong> M\u00e1rio Moura<\/p>\n\n\n\n

Keywords:<\/strong> Image Censorship, Queer Graphic Design, Queer Iconoclasm, LGBTQIA+ Visibility<\/p>\n\n\n\n

See this project in the Material Archive<\/em> interactive archive \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

From feelings of devaluation and marginalization come responses and reactions that make up what we might call queer resistance. It emerges, among other forms, through the re-signification and reclaiming of languages and meanings, many of which are expressed through images,\u2026<\/p>\n","protected":false},"author":5,"featured_media":2215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[96,3482,58,3496,18,148],"tags":[540,1513,1188,1290,1508,1503,1498,1523,979,1493,186,145,1518],"class_list":["post-2218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial-design","category-exhibition","category-master-dissertations-and-reports","category-material-archive-2026-en","category-portfolio","category-project","tag-540","tag-authentic-sans-condensed","tag-canson","tag-colored-paper","tag-degheest-latitude","tag-dgm-gleff","tag-dgm-saffron","tag-dindong","tag-glued-binding","tag-luis-lopes","tag-mario-moura","tag-munken","tag-nudles","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2026\/09\/arquivo-material-prj-041-01.jpg","_links":{"self":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2218"}],"version-history":[{"count":1,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2218\/revisions"}],"predecessor-version":[{"id":2219,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/2218\/revisions\/2219"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/media\/2215"}],"wp:attachment":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}