{"id":1523,"date":"2024-10-16T09:35:17","date_gmt":"2024-10-16T09:35:17","guid":{"rendered":"https:\/\/mdgpe.fba.up.pt\/?p=1523"},"modified":"2024-10-16T09:51:37","modified_gmt":"2024-10-16T09:51:37","slug":"as-above-so-below","status":"publish","type":"post","link":"https:\/\/mdgpe.fba.up.pt\/?p=1523","title":{"rendered":"As Above So Below"},"content":{"rendered":"\n

As Above So Below<\/strong>
Ana Armada<\/p>\n\n\n\n

\n\n\n\n

\u201cAs Above So Below” is characterized as an exploration of the Law of Correspondence. This book brings together 11 perspectives that connect to help us understand this concept. Composed of two parts that connect at the spine, the book’s design symbolizes the union between “above” and “below”. Just as the trunk of a tree balances the roots and the crown, the book’s spine balances both parts, highlighting the connection between visible and invisible aspects. <\/p>\n\n\n\n

This pocketbook is a veritable garden of ideas, where theories and reflections intertwine like leaves and roots of a tree, inviting the reader to explore universal concepts in an accessible and in-depth way.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
\n

\u201cAs Above So Below” caracteriza-se como uma explora\u00e7\u00e3o da Lei da Correspond\u00eancia. Este livro re\u00fane 11 perspetivas que se conectam de forma a ajudar-nos a compreender este conceito. Composto por duas partes que se ligam pela lombada, o design do livro simboliza a uni\u00e3o entre o “above ” e o “below”. Tal como o tronco de uma \u00e1rvore equilibra as ra\u00edzes e a copa, a lombada do livro equilibra ambas as partes, real\u00e7ando a liga\u00e7\u00e3o entre os aspectos vis\u00edveis e invis\u00edveis. Este livro de bolso \u00e9 um verdadeiro jardim de ideias, onde teorias e reflex\u00f5es se entrela\u00e7am como folhas e ra\u00edzes de uma \u00e1rvore, convidando o leitor a explorar conceitos universais
de forma acess\u00edvel e profunda.<\/p>\n<\/blockquote>\n\n\n\n

Imprint \/ Technical Raider<\/strong>:<\/p>\n\n\n\n

Year<\/strong>: 2024;
Dimensions<\/strong>: 111 \u00d7 181 mm; 174 pages;
Paper<\/strong>(s): Munken Pure 90 g; Rives Design 250 g
Typeface<\/strong>(s): Garamond Premier Pro, Indivisivel
Content<\/strong>(s) by \/ additional credits: May-Bell Bareket, Johannes Bronkhorst, Zachary Burres, Jeffrey R. Chasnov, Alexandra Prado Coelho, IAJS Communications, Henry Daved, Azubuike Faith, Veronica G. Hartman, Dr. , GB Nandan, Nasir Ahmed M. Jangubhai, Rebecca Gordon, Sarah Regan, Tr\u00eas Iniciados.
Image<\/strong>(s) by \/ Additional credits: Pim de Boer, Kateryna Ivanova, mysticroute, Dynamic Wang, D. Stolcius von Stolcenbeerg, Lucas Jennis, base de dados de recursos, Mathew Schwartz, Andrew Preble, Foster, Len Cruz, Steven Luscher, Giulia May, AM, Theo Topolevsky, Lisa Forkner, New York Public Library, Giannis Giannakitsas, Les Anderson, Paul Schutzer, Hank Walker, Government Press Office, allaboutmary, Mateus Campos Felipe, bindubaba, Daniel Marchal, Cattan2011, Henry Wetstein, Athanasius Kircher, Heinrich Khunrath , J. Paul Getty Museum, Peter Hille
Printing<\/strong> & Finishing: Qualquer Ideia, Sr. Carvalho<\/p>\n\n\n\n

Curricular Unit:
<\/strong>Project (1st year)<\/p>\n\n\n\n

Supervising Professor(s):<\/strong>
Eduardo Aires <\/p>\n","protected":false},"excerpt":{"rendered":"

As Above So BelowAna Armada \u201cAs Above So Below” is characterized as an exploration of the Law of Correspondence. This book brings together 11 perspectives that connect to help us understand this concept. Composed of two parts that connect at the spine, the book’s design symbolizes the union between “above” and “below”. Just as the… Continue reading As Above So Below<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1526,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[96,18,148],"tags":[154,149,152,144,145,153,151,150],"class_list":["post-1523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial-design","category-portfolio","category-project","tag-154","tag-ana-armada","tag-eduadro-aires","tag-garamond","tag-munken","tag-projeto","tag-rives","tag-sr-carvalho","entry"],"jetpack_featured_media_url":"https:\/\/mdgpe.fba.up.pt\/wp-content\/uploads\/2024\/10\/Ana-Armada-Trabalho-1-B-Ana-Armada-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/1523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1523"}],"version-history":[{"count":2,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/1523\/revisions"}],"predecessor-version":[{"id":1530,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/posts\/1523\/revisions\/1530"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=\/wp\/v2\/media\/1526"}],"wp:attachment":[{"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdgpe.fba.up.pt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}